Brighton Festival (May 2009) St Barnabus’ Church, Hove Following the successful collaboration with The Regency Town House Trust (2007/8), Wired Theatre was invited to make a performance in St. Barnabas’ Church, Hove. Inspired by the soaring arches and the sunlight… Continue Reading
Brighton Festival (May 2008) Staged in Basement, 10 Brunswick Square, Hove. Working in collaboration with the Regency Town House trust the performance, was a sequel to Look Now (Brighton Festival May 2007). This was staged in the basement of 10… Continue Reading
Brighton Festival (May 2007) Staged in The Regency Town House, Brunswick Square, Hove. LOOK NOW! A photographer, a producer, a model and a supporting cast wait in the Regency Town House. Others are expected. The walls are bare, but the… Continue Reading
Celebrating Age (July 2006) Staged in a house in Poet’s Corner, Hove. As part of Brighton and Hove Council’s project Celebrating Age, WIRED THEATRE presented: Gone But Not Forgotten, which was staged in a private house in Poet’s Corner, Hove.… Continue Reading
Brighton Festival (May 2006), The Sensory garden, St Anne’s Well Gardens. Click here to read Miriam King’s Review of PARK PLAY for Total Theatre Magazine Park Play, set in the Scented Garden of a popular Hove park was the second… Continue Reading
Brighton Festival (May 2005), in the garden of 12 Nizells Avenue, Hove. This was Wired Theatre’s third production to be set in the domestic environment of 12 Nizells Avenue, Hove. It was linked to the previous show “Get Up Those… Continue Reading
Brighton Festival (May 2004) 12 Nizells Avenue, Hove. A review by Tim Chilcott, MA, DPhil, formerly Dean of the Faculty of Arts and Humanities at University College Chichester. Get Up Those Stairs is a fascinating piece of performance art that both excites… Continue Reading
Brighton Festival (May 2003) 12 Nizells Avenue, Hove. Maybemurder was a performance installation, consisting of video material and live action which audiences were invited to view in a promenade around the house. This show continued the group’s policy of developing… Continue Reading
In David Lynch’s film Wild at Heart, women are demons or victims; they seem to have been constructed to fulfil certain archetypal male fantasies. The patterns defining the wicked witch/domineering mother and the victimised heroine/sexual temptress are specifically represented in… Continue Reading
5 Brunswick Square (May 1999) and Belgrave House (2000) Ladies In Waiting was inspired by Valasquez’ painting, Las Meninas and Picasso’s numerous studies of this work as well as the following texts:- The Birthday of the Infanta by Oscar Wilde,… Continue Reading