WIRED THEATRE was formed in 1999 and since then the company have produced several productions for the Brighton Festival (as listed below) as well as a production for Brighton and Hove Council’s Celebrating Age project. In their upcoming productions the company plans to continue their policy of making performances in non-theatrical spaces.

Feel free to explore the productions we have done.

Latest Production – All Together Now

This is information about our next production, which is dedicated to Graham White a much loved and respected member of our Company who died suddenly last year and is sadly missed.

Hope you can make it.

Sylvia (Wired Theatre)

All Together Now

It’s 2021, three siblings are trapped in a flat in Hove. Secrets emerge that they would prefer not to discuss.

In this one-off event, Wired invites you to follow the action of their latest original work, set in a charming flat in Hove.

All proceeds will be donated to the Ukraine Crisis Appeal.

Tickets: only 10 available per performance. Please use our contact page to request ticket bookings.

Price: £10 (You will need book your ticket in advance and pay for your booked ticket on the day by cheque or cash only).

Dates: Fri 24 June: 7.30 pm, Sat 25 June: 5 pm & 7 pm, Sun 26 June: 2.30 pm, 5 pm & 7pm

Venue: 4 Rigden Road, Hove BN3 6NP

Reviews of previous shows:

Dancing in the Dark (2016)  ‘The house is the stage and the audience can enjoy close
proximity with the actors. No rigid barriers distance the audience from what is happening
in the house.’ (Arts Award Voice 2016) *****

WIRED is known for taking risks, but “provided you concentrate – you’ll be treated to an experience unlike any other in Brighton.” Brighton Guru 2015

Review of “Always With A Love That’s True” – (Brighton Fringe – 5/5/18.   Review by Michael Sabbaton )

Fantastic work from, Wired Theatre, who are playing throughout this year’s Brighton Fringe. Their new show, Always with a Love that’s True, picks up the saga of womanising, alcoholic therapist, Andrew, as he attempts to squirm his way back through ethically-challenging relationships and self-indulged mis-adventure.

Set and played in an actual house, the audience become fused with the close action as, moment by moment, each scene unfolds and tumbles into the next. From conservatory to hall, from staircase to sitting room, we inhabit this man’s sink-hole-life of love, loss and manipulation.

Wired weave a complex web of theatrical interaction, dancing through frames of naturalism, documentary realism, dream and the surreal. Characters change course throughout from the comedic (with exquisitely timed, unfolding routines and smile inducing song and dance) to the tragic (where life and loneliness are left to unravel). Folded into this structure is, ever-present, a sense of the surreal and a mature presence of self-awareness and this is where Wired’s theatrical language truly resides. They keep you guessing, they make you smile, they make you comfortable then shake the rug from underneath to expose not just tragedy, not just comedy but a life complicated and complex.

It’s fun, challenging and sometimes weird but we are safe in Wired’s, welcoming, world – after all, we’re the guests of honour! It’s like we shouldn’t be there…but we ARE and without our translucent presence it just wouldn’t work. Wired’s work is a constantly reflective menagerie where all the time they are watching us, watching them, watching us but always, if you pardon the pun, with a love that’s (certainly) true!